somatic TOOLS

THE BUILDING BLOCKS OF A unified, brain-body approach to acting for stage and screen.

what are the tools?

An integration of Meisner and Michael Chekhov techniques with vocal and physical training inspired by Fitzmaurice Voice Work, Feldenkrais Method, and countless other mind/body unifying practices.

why put them together?

Meisner demands honesty. It brings actors into themselves.

Chekhov invites transformation. It offers a roadmap into the given circumstances and expands the actor beyond the self.

Voice & body work prepares the actor’s instrument to be responsive to impulses in the moment and expands range.

Combined, these techniques arm an actor with a toolkit to thrive.

What is meisner Technique?

Meisner teaches actors to “not act.”

Grounded in the “reality of doing,” it trains actors to listen and respond with authentic impulses. It invites primal instinct and emotion to flow freely.

If you’ve studied Meisner before, this might be different. Come prepared to meet the technique for the first time.

What is Chekhov Technique?

Michael Chekhov technique harnesses the intricate relationship between mind and body in acting.

It activates the actor’s imagination through specific physical systems. The work is a profound tool to enter characters and circumstances vastly different from your lived experience.

Voice & Body Work

Voice & body work releases inhibiting physical tension, increasing breath capacity, and strengthens the mind/body connection, helping actors’ to maximize: emotional access, expressive range and receptivity to partners.

Just as a violinist has scales or a ballet dancer has the barre, this work gives actors practical tools to train in-between jobs and to warm up before a show or a difficult scene.

Ellie is grateful to have worked with these artists who influenced the work:

Anne Bogart (SITI COMPANY), Tina Landau (Steppenwolf), Amy Morton (Steppenwolf),

Paula Langton (Linklater Master Teacher, Boston University),

Joanna Merlin (Studied w/ Michael Chekhov & founded MICHA

NYU ), Bethany Caputo (Michael Chekhov Master Teacher), Ragnar Freidank (Michael Chekhov Master Teacher),

Craig Mathers (Michael Chekov Master Teacher, Emerson), Kim Rubinstein (UCSD),

Jon Lipsky (pioneered “Acting through Imagery”), Leslie Buxbaum-Danzig & Adrian Danzig (500 Clown),

Annie-B Parson (Big Dance Theater), Betsy Polatin (Alexander

Technique), Roger Smart (Fitzmaurice Voice Work), Suzanne Thompson (Feldenkrais Method),

Dexter Bullard (Plasticene Physical Theater), Lenard Petit (Michael Chekhov Acting Studio),

Bud Beyer (mime in the tradition of Decroux, Northwestern University)

and Judith Chaffee (Head of Movement at Boston University).

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